Though Delluc's career was short-lived, it burst vigorously(7 films in 4 years)that it forever left its imprint on french cinema history, and they rightly honoured him by giving the annual Prix Delluc to the best French film of the year. He was responsible for the creation of influential cinema journals like Le Journal du Ciné-Club and Cinéa, founding numerous film societies, writing countless articles and coining the term cineaste. Delluc believed that films should be set in the natural without elaborate posturing, and characters should be portrayed in an intimate way where the past and present, illusion and reality can be correlated, all considered to be avant-garde at its time. He died only a few weeks after the shooting of The Flood at the age of 33.,“这条恶犬的出现就意味着它已经成功了的取代鬼梦,现在它就是鬼梦,等同于真正的厉鬼,而这样的一条恶犬此刻出现,到底是福是祸?”杨间此刻也不敢轻举妄动。……